I asked about the relevance of the Image and Vision Computing (IVC) Special Issue on Biometrics in the Wild to Psychologists. This was Vito's response:
It may be important to provide some context first. The special issue builds on a workshop that we are organizing as part of the 2017 edition of the IEEE Conference on Automatic Face and Gesture Recognition (http://luks.fe.uni-lj.si/bwild17/), but is open to everyone interested in contributing. While we issued a call for biometrics in general, we expect most submitted papers to be face and (maybe gesture) related - due to our connection to AFGR.
I feel that papers on the psychology of face recognition would fit nicely into the scope of the planned special issue. Work on perceptual and cognitive aspects of face recognition and connections to recent machine learning models would certainly be interesting as well. I see a lot of work in this area that would make sense for the special issue.
Peter Hancock
Professor,
Deputy Head of Psychology,
Faculty of Natural Sciences
University of Stirling
FK9 4LA, UK
phone 01786 467675
fax 01786 467641
http://stir.ac.uk/190http://orcid.org/0000-0001-6025-7068http://www.researcherid.com/rid/A-4633-2009
Psychology at Stirling: 100% 4* Impact, REF2014
Come and study Face Perception at the University of Stirling! Our unique MSc in the Psychology of Faces is open for applications. For more information see http://www.stir.ac.uk/postgraduate/programme-information/prospectus/psychol…
** Apologies for cross-posting **
****************************************************
CALL FOR PAPERS
Image and Vision Computing (IVC) Special Issue on:
Biometrics in the Wild
Submission deadline: 30 June, 2017
Target publication date: April, 2018
****************************************************
CALL FOR PAPERS
IVC SI: Biometrics in the Wild
** Motivation **
Biometric recognition from data captured in unconstrained settings,
commonly referred to as biometric recognition in the wild, represents a
challenging and highly active area of research. The interest in this
area is fueled by the numerous application domains that deal with
unconstrained data acquisition conditions such as forensics,
surveillance, social media, consumer electronics or border control.
While the existing biometric technology has matured to a point, where
excellent performance can be achieved for various tasks in ideal
laboratory-like settings, many problems related to in-the-wild scenarios
still require further research and novel ideas. The goal of this special
issue is to present the most advanced work related to biometric
recognition in unconstrained settings and introduce novel solutions to
open biometrics-related problems. Submitted papers should make a
significant contribution in terms of theoretical findings or empirical
observations, demonstrate improvements over the existing
state-of-the-art and use the most challenging datasets available.
** Topics of Interest **
We invite high-quality papers on topics related to biometric recognition
in the wild, including, but not limited to:
• Region of interest detection (alignment, landmarking) in the wild,
• Soft biometrics in the wild,
• Context-aware techniques for biometric detection and recognition,
• Novel normalization techniques,
• Multi-modal biometrics in the wild,
• Biometric recognition in the wild,
• Biometrics from facial behavior (e.g., eye movement, facial
expressions, micro-expressions),
• Biometrics based on facial dynamics,
• Novel databases and performance benchmarks,
• Ethical issues, privacy protection and de-identification,
• Spoofing and countermeasures,
• Deep learning approaches for unconstrained biometric recognition,
• Related applications, especially mobile.
** Important Dates **
Submission deadline: 30 June, 2017
Notifications to authors: 31 January, 2018
Target publication date: April, 2018
** Guest Editors **
Bir Bhanu, University of California, Riverside, United States
Abdenour Hadid, University of Oulu, Finland
Qiang Ji, Rensselaer Polytechnic Institute, United States
Mark Nixon, University of Southampton, United Kingdom
Vitomir Struc, University of Ljubljana, Slovenia
** Advisory Editors **
Rama Chellappa, University of Maryland, United States
Josef Kittler, University of Surrey, United Kingdom
For more information visit:
www.journals.elsevier.com/image-and-vision-computing/call-for-papers/specia…
--
ass.prof. Vitomir Struc, PhD
Laboratory of Artificial Perception, Systems and Cybernetics
Faculty of Electrical Engineering
University of Ljubljana
Slovenia
Tel: +386 1 4768 839
Fax: +386 1 4768 316
URL: luks.fe.uni-lj.si/nluks/people/vitomir-struc/
Co-organizer: Workshop on Biometric in the Wild 2017
http://luks.fe.uni-lj.si/bwild17
Program Co-chair: International Symposium on Image and Signal Processing and Analysis 2017
http://www.isispa.org/
Competition Co-chair: International Joint Conference on Biometrics 2017
http://www.ijcb2017.org/
Dear colleagues
I wonder if you are able to help me please. I am a third year Psychology student with the Open University and I am just about to embark on my final year experimental project.
My area of interest for this project is the interaction between simultaneous vs sequential presentation and neutral vs leading phrasing in accuracy rates of rejection in target absent line-ups. I have been searching high and low for short videos of nonviolent crimes (I'm aiming for 4).
Do you have any advice about where I could go about locating anything like that?
I really appreciate you talking the time to read my email.
Thank you
Kind regards
Bonnie Parker
Research Administrator
Department of Physics
King's College London
Strand Building S3.07 | Strand | London | WC2R 2LS
+44 (0) 20 7848 2155
bonnie.parker(a)kcl.ac.uk<mailto:bonnie.parker@kcl.ac.uk>
www.kcl.ac.uk/physics<http://www.kcl.ac.uk/physics>
**Please forward to anyone who might be interested**
Apologies for cross-posting
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CfP eNTERFACE'17 Workshop: International Summer Workshop on Multimodal Interfaces
http://artes.ucp.pt/enterface17/
Final project proposal submission deadline (10 February)
http://artes.ucp.pt/enterface17/authors-kit/eNTERFACE17_Authors_Kit.pdf
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eNTERFACE workshops aim at establishing a tradition of collaborative, localized research and development work by gathering, in a single place, a team of senior project leaders in multimodal interfaces, researchers, and (undergraduate) students, to work on a pre-specified list of challenges, for 4 weeks.
Following the success of the previous eNTERFACE workshops held in Mons (Belgium, 2005), Dubrovnik (Croatia, 2006), Istanbul (Turkey, 2007), Paris (France, 2008), Genova (Italy, 2009), Amsterdam (Netherlands, 2010), Plzen (Czech Republic, 2011), Metz (France, 2012), Lisbon (Portugal, 2013), Bilbao (Spain, 2014), Mons (Belgium, 2015), Twente (Netherlands 2016), the Digital Creativity Centre (CCD)<http://artes.ucp.pt/ccd>, Universidade Catolica Portuguesa, has the pleasure to host eNTERFACE’17<http://artes.ucp.pt/enterface17>, the 13th Summer Workshop on Multimodal Interfaces, to be held in Porto, Portugal from July 3rd to 28th, 2017.
The eNTERFACE'17 committee<http://artes.ucp.pt/enterface17/Committees_eNTERFACE17.html> now invites researchers to submit project proposals that will be evaluated by the scientific committee. All the information asked to submit a project is available on the website of the workshop. The proposals should contain a full description of the project's objectives, required hardwares/softwares and relevant literatures.
Participants are organized in teams, attached to specific projects, working on free software. Each week will typically consist of working sessions by the teams on their respective projects plus a tutorial given by an invited senior researcher and a presentation of the results achieved by each project group. The last week will be devoted to writing an article on the results obtained by the teams plus a big session where all the groups will present their achievements.
Proceedings are expected to be published by CITAR Journal. CITAR Journal was recently (July 2016) accepted for inclusion in a new index of the Web of Science (WoS) Core Collection: the Emerging Sources Citation Index (ESCI), and has also been accepted for indexing by Elsevier's Scopus.
TOPICS
Although not exhaustive, the submitted projects can cover one or several of the topics : Art and Technology, Affective Computing, Assistive and Rehabilitation Technologies, Assistive Technologies for Education and Social Inclusion, Augmented Reality, Conversational Embodied Agents, Human Behavior Analysis, Human Robot Interaction, Interactive Playgrounds, Innovative Musical Interfaces, Interactive Systems for Artistic Applications, Multimodal Interaction, Signal Analysis and Synthesis, Multimodal Spoken Dialog Systems, Search in Multimedia and Multilingual Documents, Smart Spaces and Environments, Social Signal Processing, Tangible and Gesture Interfaces, Teleoperation and Telerobotics, Wearable Technology, Virtual Reality
SUBMISSION PROCEDURE
The general procedure of the eNTERFACE workshop series is as follows. Researchers are invited to submit project proposals. The project proposals will be evaluated by the eNTERFACE steering committee. If accepted, the projects will be published and researchers and students are invited to apply for up to 3 projects they would like to be part of. After notifying the applicants, the project leaders can start building their teams. Final project proposals must be submitted by email (PDF) to enterface17(a)porto.ucp.pt<http://mailto:enterface17%40porto.ucp.pt%3cmailto%3Aenterface17@porto.ucp.p…>.
* Instructions for the final proposal: http://artes.ucp.pt/enterface17/authors-kit/eNTERFACE17_Authors_Kit.pdf
IMPORTANT DATES
* 20 January 2017: Notification of interest for a project proposal with a summary of project goals, work-packages and deliverables (1-page)
* 10 February 2017: Submission deadline: Final project proposal
* 20 February 2017: Notification of acceptance to project leaders
* 06 March 2017: Start Call for Participation, participants can apply for projects
* 21 April 2017: Call for Participation is closed
* 28 April 2017: Teams are built, notification of acceptance to participants
* 03 – 28 July 2017: eNTERFACE’17 Workshop
Scientific Committee
* Prof. Albert Ali Salah, University of Bogazici, Turkey
* Prof. Alvaro Barbosa, University of Saint Joseph, Macao, China
* Prof. Andrew Perkis, Norwegian University of Science and Technology, Norway
* Prof. Antonio Camurri, University of Genova, Italy
* Prof. Benoit Macq, Université Catholique de Louvain (UCL), Belgium
* Prof. Bruce Pennycook, University of Texas at Austin, USA
* Prof. Christophe d'Alessandro, CNRS-LIMSI, France
* Dr. Daniel Erro, Cirrus Logic, Spain
* Prof. Dirk Heylen, University of Twente, Netherlands
* Prof. Gualtiero Volpe, University of Genova, Italy
* Prof. Igor S. Pandžić, University of Zagreb, Croatia
* Prof. Inma Hernaez, University of the Basque Country, Spain
* Prof. Jean Vanderdonckt, Université Catholique de Louvain (UCL), Belgium
* Prof. Jorge C. S. Cardoso, University of Coimbra, Portugal
* Prof. Khiet Truong, University of Twente, Netherlands
* Prof. Kostas Karpouzis, National Technical University of Athens, Greece
* Prof. Ludger Brümmer, ZKM | Center for Art and Media Karlsruhey, Germany
* Prof. Luis Teixeira, Universidade Católica Portuguesa (UCP), Portugal
* Prof. Martin Kaltenbrunner, Kunstuniversität Linz, Austria
* Prof. Maureen Thomas, Cambridge University Moving Image Studio, UK
* Prof. Milos Zelezny, University of West Bohemia, Czech Republic
* Prof. Nuno Guimarães, Information Sciences, Technologies and Architecture Research Center (ISTAR-UL), Portugal
* Prof. Olivier Pietquin, University of Lille | Google DeepMind, France
* Prof. Sandra Pauletto, University of York, UK
* Prof. Stefania Serafin Professor, Aalborg University Copenhagen, Denmark
* Prof. Thierry Dutoit, University of Mons, Belgium
* Prof. Yves Rybarczyk, New University of Lisbon, Portugal
INFRASTRUCTURE
eNTERFACE’17 will be held in the Digital Creativity Centre located on the campus of the Catholic Portuguese University in the city of Porto, Portugal. The Digital Creativity Centre<http://artes.ucp.pt/ccd> is a center of competence and creative excellence with an infrastructure equipped with cutting edge technology in the areas of Digital and Interactive Arts, Computer Music, Sound Design, Audiovisual and Cinematic Arts, Computer Animation.
Facilities include experiment spaces, meeting rooms, as well as a Motion Capture (MoCap) Lab equipped with a Vicon Motion Capture System, a Digital and Interactive Arts (Yamaha Disklavier Grand Piano Robotic Performance System, a Notomoton Percussion Robot, two Reactable Live and one Reactable Media Bench Systems, various Microsoft Kinects, Nintendo Wiimotes, LeapMotion sensors, Webcameras, 3d-printers, Arduino and Raspberry Pi systems).
ORGANIZATION
eNTERFACE’17 will be organized and hosted by the Digital Creativity Centre, Universidade Catolica Portuguesa - School of Arts.
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